The Unruly Passions of Eugénie R. has been translated into Polish as Namietnosci Eugenii R. and published by KSIAZNICA. It can be purchased online through Book Depository. For a related interview by Polish book blogger Agnes A. Rose, see “The Process of Writing Was Somewhat Mysterious...: Interview with Carole Desanti.”
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Everyone in Second Empire Paris knows the name of Zola’s celebrated courtesan, Nana, “with all the lilting vivacity of its two syllables.” Not so her sister under the skin, the fallen heroine of Carole DeSanti’s provocative historical novel, The Unruly Passions of Eugénie R. Forced to labor in the same vineyards as her flamboyant contemporary, Eugénie does so in obscurity.
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The accident of timeliness richly rewards readers of historical fiction in unexpected and exciting ways, casting light on emotions past and present. Even as The Unruly Passions of Eugénie R., by Carole DeSanti, remains solidly rooted in the history and details of the past, it echoes in current events as well.
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Yes, I know you’re busy and that already have plenty of books to read, but—trust me on this one—you must get a copy of Carole DeSanti’s new novel The Unruly Passions of Eugénie R. All right, so don’t trust me: trust Publishers Weekly , Valerie Martin, Deborah Harkness, Sarah Blake, Mireille Guiliano, and Fay Weldon, all of whom love the book.
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Melding the personal struggle of her protagonist with the colorful canvas of a city in flux, DeSanti creates a world of rogues, romantics, poseurs and politicians, where wealth and privilege purchase freedom from the despair and daily tragedies of the poor.
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DeSanti’s narrative is infused with poetry, lending an earthy realism to even the most complex scenarios.
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Eugénie, an admittedly unreliable narrator who refuses to accept advice or learn from her mistakes, is difficult to root for; she acts on impulse and expects to be rescued (and she is). But readers will find passion in the writing; DeSanti’s descriptions are full of lush, sensual detail.
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In DeSanti's deeply sensual novel, the foie gras melts on the tongue and the perfumes threaten, at times, to overwhelm. But her sharp eye for the hypocrisies of power dynamics elevates this novel far above the hothouse.
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For her Psychology Today column "One True Thing," Jennifer Haupt interviews Carole DeSanti on the struggles of bringing her debut novel to life.
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